beren_writes: Coulson in shades - says Son of Cool (AV - Son of Cool)
Title: Insidious
Rating: 15
Cast:
Patrick Wilson ... Josh Lambert
Rose Byrne ... Renai Lambert
Ty Simpkins ... Dalton Lambert
Lin Shaye ... Elise Rainier
Summary:
When Dalton, son of Josh and Renai Lambert falls into a coma that isn't really a coma, after they move into their new house, evil things start to happen around him.

So Insidious, I finally managed to see the whole thing. On the first watch my husband was so jumpy that he couldn't finish it. However, as I discovered he turned off at just the wrong point.

This is a film of two halves.

The first half is really quite spooky and scary. It made me and my husband jump and hide behind cushions and when I watched it a second time with my sister and mother so I could see the end, it did the same to them.

However, I have to say, the second time through the first half was spooky, but not really scary like it was when I didn't know what was coming. It doesn't have lasting scare factor unlike something like Ju-on - The Grudge which gets me every time. I think it's the noises in Ju-on that do it.

So the first half isn't bad and it's worth a watch. The acting is fine, the plot is reasonable and when you don't know what coming it will scare you nicely.

Then we have the second half. It turns out my husband should have kept watching because the second half totally kills any scare in the first half. The main protagonist flips from being the mother to being the father and the explanations come out and it's just, meh. It's over done, it's heavy, it's predictable and it's not frightening at all. I watched my sister go from hiding behind a cushion to wondering when it would end.

There was only one point in the whole second half that made any of us remotely jump.

It needed a twist or a more interesting big bad, but there wasn't anything. The reveal is supposed to be a big shock, but if you didn't see it coming I think you might have been watching a different film. I don't mean the details exactly, but definitely the general gist.

We're supposed to be afraid and we definitely weren't. It went from good old fashioned horror to more of a dark fantasy without the scare factor. I don't think I will be watching it again.

I do have Insidious 2 and I will give it a go, but I'm not holding my breath for a masterpiece.
beren_writes: Abe Lincoln Vampire Hunter - says my kind of lincoln (ALVH - my kind of lincoln)
Title: Blood Ties
Rating: 15
Cast:
Patrick Bauchau ... Eli Chelarin
Bo Hopkins ... Chief Hunter
Michelle Johnson ... Celia
Jason London ... Cody Puckett
Harley Venton ... Harry Martin / Harlevon Martinescu
Salvator Xuereb ... Butcherbird "Butch" Vlad
Kim Johnston Ulrich ... Amy Lorne
Summary: After his parents are killed Cody Puckett heads for the big city and Eli Chelarin, who he has been told to find if anything happens. What he doesn't know is that his parents were killed by vampire hunters and he and those he finds in the city are Carpathians. Harry, a reporter and Carpathian who is trying to integrate has to help Cody understand and find those who killed his parents.

This isn't a classic and it isn't utterly amazing, but it is a good early 90s vampire movie. It reminds me a little of Kindred: The Embraced, not least of which because Partick Bauchau is in it, but also because it has vampires hiding in plain sight in a hierarchical, family unit.

Click to see the rest of the review )

Master list of Reviews of the Vampire Film I Own
beren_writes: Abe Lincoln Vampire Hunter - says my kind of lincoln (ALVH - my kind of lincoln)
Title: Innocent Blood (1992)
Rating: 18
Cast:
Anne Parillaud ... Marie
David Proval ... Lenny
Robert Loggia ... Sallie (The Shark) Macelli
Summary: Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to develop a relationship with the policeman who has been trying to put Sal away. Sal does not stay dead. (mostly taken from IMDB)

Let me tell you about all the reasons I love this film. There are a few films out there that get under your skin and this is one that grabbed me and never let go. I first saw it on pre-owned VHS that I bought from a video rental place and as soon as it came out on DVD I snapped it up. I have been patiently waiting for them to get round to bringing it out on blu-ray, but I suspect I will be waiting a long time.

Click to see the rest of the review of the film )


Have you seen any mobster vampire movies? How about cops and vampires? Since I mentioned sex scenes, is there one that you remember (from any genre of film) that really added to the plot rather than just being about the sex?
beren_writes: Manga portraits of Harry and Draco (Default)
Title: Elysium
Rating: 15
Cast:
Matt Damon ... Max
Jodie Foster ... Delacourt
Sharlto Copley ... Kruger
Alice Braga ... Frey
Diego Luna ... Julio
Wagner Moura ... Spider
William Fichtner ... John Carlyle
Summary: The earth is polluted and overcrowded, so the rich built themselves a space station called Elysium, with an atmosphere, where they have all the best, leaving those below to fend for themselves. Max was a car thief, but when he needs the technology on Elysium to survive he becomes embroiled in a plot that could change the balance of power.

Rob and I watched this last night on Sky onDemand and I am so glad we did not pay to see it in the cinema. It simply just isn't very good.

On the positive side, Elysium looks slick and Jodie Foster looks amazing in sharp suits as the defence minister for the space station. It's good to see a film with a woman in a position of power where she makes no excuses for how she got there. She knows she is the best and can protect Elysium and that is all she cares about.

Other than that this is full of clichés, characters I really didn't like at all, not even a little bit, and a plot that simply does not make sense. The ending is so predictable that it might as well have been one of those films that shows the audience the end first and then shows them how the characters reached that point. I was bored for a good deal of the film.

Matt Damon plays Max, the reformed criminal who is just trying to get by in a system that doesn't give a shit about the little guy. It might have helped if he was a slightly sympathetic character, but I really couldn't bring myself to care about him. Everywhere he went he brought disaster and his character path was unsubtle and did nothing to change how I felt about him.

Then Jodie Foster as Delacourt was as evil as she was supposed to be, but she had no depth. Her motivations were very flat and not very interesting and it's obvious she is digging her own hole, the only question is when and how she will fall into it. If she had only had another aspect to her, something that made her human even if it was still very evil human.

The best character in my opinion was Julio; I actually liked him. Of course that means there was no way he could make it through the entire film. He had levels and so he died. (spoiler - highlight to read)

Then there is the technology - it makes no sense. They have a technology that can apparently cure any disease or ailment. Shattered bones, no problem, radiation poisoning, not an issue, final stage leukaemia, a doddle - so why haven't they used it to colonise Mars or the moon? I kid you not, at one point the healing pod says the immortal words 're-atomising'.

They can do all this and yet they're using missiles that just go bang and they don't seem to be able to simply stop shuttles that aren't supposed to get to the space station. Everyone is apparently tagged using their DNA and yet Max still has to wear a leg bracelet because he is on patrol - but that didn't seem to actually have anything to do with the plot, other than to make the police robots take notice of him to give him a reason to see Frey again.

Then there is the concept of Elysium in itself. It's all very well having lovely houses and pools, but there is more to life than just that. Surely these mega rich people would get bored? Frankly they all seem to just be background for the film that no one has really thought about.

Then we have the bad guy. Wow, I'm not sure you could get less depth than Jodie Foster's character, but they managed it. He's like a villain from an 80s cartoon just amped up for an adult audience. It's like a flashback to Jean Claude van Damme movie where the baddie was just there to be beaten up and totally destroyed.

Lets not even get into the robots.

This film is every adult distopian cliché stuffed together with not very interesting characters and technology that doesn't make any sense. Then there is the end - I won't give it away, but I was left thinking that no one bothered to think through the consequences.

As you can probably guess, I would not recommend this film.
beren_writes: Loki smiling with the words "Sweet and innocent ... honestly" (Avengers - Loki sweet and innocent)
This is more than a little late, my apologies. I saw this NTLive Encore screening on 22nd May and have been meaning to write a review ever since.

TitleThe Curious Incident of the Dog in the Night-Time
Media: NTLive Encore showing
Cast:
Luke Treadaway
Una Stubbs
Niamh Cusack
Nicola Walker
Paul Ritter
Matthew Barker
Howard Ward
Nick Sidi
Rhiannan Harper-Rafferty
Sophie Duval
Director: Marianne Elliott
Summary: Christopher is 15 and described himself as "a mathematician with some behavioural difficulties". His neighbour's dog Wellington is killed in the night with a garden fork and his desire to solve the mystery of who killed Wellington takes him on a journey that will change his life.

The only real way to begin this review is by saying this stage production is utterly amazing. If you have NTLive in a cinema near you and this production ever comes on again, go and see it. You will not regret it.

For those unaware, The Curious Incident of the Dog in the Night-Time is a novel by Mark Haddon which was adapted for stage by Simon Stephens and it is mind blowing.

It is never explicitly stated, but is heavily implied that Christopher is a high-functioning autistic boy who has Asperger syndrome and hence has difficultly relating to the world around him in the same way others do. The play sets out to give us a glimpse of how he perceives the world while solving the mystery of Wellington's death. It does this with the most amazing lighting and computer generated effects and sounds projected onto the stage along with some of the finest acting I have ever seen.

This play is an assault on the senses and on the emotions. I cried a lot and I so wish this was available on DVD so I could cry again and again and again. I also laughed out loud because there were bits that were incredibly funny. I was reminded of the Joss Whedon quote: "Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke." This production is beautifully balanced.

Luke Treadaway deserves so many awards for his performance. There is no doubt I believed I was watching an autistic boy on the stage. His disconnect from the normal world and yet his depth of emotion were utterly captivating. His earnestness, his confusion, his focus, his bravery; it was all there. I could not look away for even a moment.

The rest of the cast are also brilliant. If this was Disney some would be princes, others would be villains and yet, in this, they are real people. No one is perfect, no one is evil, they are simply real. Their pain and heartbreak at certain things is so clear and so is their joy.

The way it is staged is innovative and captivating. There is little scenery and a lot of structure is formed simply by light. When Christopher is on a train it is only some boxes with people sitting on them, but it is still a train. When he is walking through the busy station it is a stage with only a handful of people on it, and yet it becomes a busy station. The skill of the cast and the crew is simply amazing.

This play will tear your heart out and then put it back together for you. It will make you lean forward in your seat to experience everything and shy away when the cacophony is too loud. It will take you from the real world into the mind of "a mathematician with some behavioural difficulties" and bring you back out again, at times with a bang.

I want to see this again so badly.

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The Chronicles of Charlie Waterman The Haward Mysteries Vampires: The New Age The Soul Reader Series
Cat's Call by Natasha Duncan-Drake Cat's Creation by Natasha Duncan-Drake Cat's Confidence by Natasha Duncan-Drake Sacrifice of an Angel by Tasha & Sophie Duncan Stockings by Tasha and Sophie Duncan The Beginning by Natasha Duncan-Drake Advent by Natasha Duncan-Drake Forgotten Soul by Tasha D-Drake Forbidden Soul by Tasha D-Drake Fortunate Soul by Tasha D-Drake
Dark Reflections My Stand Alone Short Stories/ Novelettes/ Novellas My Anthologies
Me, Myself and I (Dark Relfections #1) by Tasha D-Drake Dreams and Reality (Dark Reflections #2) by Tasha D-Drake Face of the Dead by Tasha D-Drake Chip Off the Old Block? by Tasha D-Drake Parting the Veil by Natasha Duncan-Drake and Sophie Duncan Out of the Frying Pan by Natasha Duncan-Drake The Trade by Natasha Duncan-Drake Myriad Imaginings by Natasha Duncan-Drake and Sophie Duncan Half of Everything by Natasha Duncan-Drake Assassin's Blood by Natasha Duncan-Drake